Robert Doran

 

Assistant Professor of French and

Comparative Literature

 

Ph.D., Stanford University

Ph.D., Sorbonne Nouvelle-University of Paris III

Nineteenth-Century French Literature and Culture; Cultural and Cross-Cultural Theory (Islam and the West); Film and Visual Culture; Aesthetics; Intellectual History; Literary Theory; French Anthropology and Sociology; Continental Philosophy

 

 

Selected Publications:

 

Authored Book in Progress

      The Sublime: Aesthetics as Cultural Criticism


Edited Volumes

      The Fiction of Narrative: Essays on History, Literature, and Theory, 1956-2007, by Hayden White, Johns Hopkins University Press, forthcoming 2009.

 

      Mimesis and Theory: Essays on Literature and Criticism, 1953-2005, by René Girard, Stanford University Press, 2008. 344 pages. Series: Cultural Memory in the Present. Volume includes an editor’s introduction.
            http://www.sup.org/book.cgi?book_id=5580

      Special issue of SubStance 37.1 (March 2008): Cultural Theory after 9/11: Terror, Religion, Media.

      http://muse.jhu.edu/journals/substance/toc/sub37.1.html

 


Articles in a Journal

      “Terrorism and Cultural Theory,” SubStance 37.1 (March 2008): 3-19.

            http://muse.jhu.edu/journals/substance/toc/sub37.1.html

 

      “Literary History and the Sublime in Erich Auerbach’s Mimesis,” New Literary History, 38.2 (2007): 353-369.
            http://muse.jhu.edu/journals/new_literary_history/toc/nlh38.2.html

 

      “Nietzsche: Utility, Aesthetics, History,” Comparative Literature Studies 37.3 (2000): 321-343 (Aldridge Prize 1999, American Comparative Literature Association). Most accessed article in this journal for 2007 (Project Muse).
            http://muse.jhu.edu/journals/comparative_literature_studies/toc/cls37.3.html

 

      “Representing the Holocaust in a Postmodern World,” Romance Languages Annual 7 (1996): 44-50.


Chapters in a Book

      “Mimesis and the Question of Originality: Longinus, Kant, Girard,” in Creative Mimesis, ed. Vern Neufeld Redekop and Thomas Ryba, forthcoming 2009.

 

      “Ambiguity in Jean Renoir’s The Rules of the Game,” in: Ambiguity. Eds. Paolo Bartoloni and Anthony Stephens, Purdue University Press, forthcoming 2009.

 

      “Logique et Sublimité: Dupuy et Vertigo de Hitchcock,” in: Actes du Colloque International en l’honneur et autour de Jean-Pierre Dupuy, forthcoming 2009.

 

      “Literature as Theory,” editor’s introduction to Mimesis and Theory: Essays on Literature and Criticism, 1953-2005, by René Girard, Stanford University Press (2008): xi-xxvi.

 

      “The Narrative Logic of the Fantastic Tale,” in: Tale, Novella, Short Story: Currents in ShortFiction. Eds. Holger Klein and Wolfgang Görtschacher. Tubingen: Stauffenberg, Studies in English and Comparative Literature, Vol. 20 (2004): 49-58


Translations

      René Girard, “Formalism and Structuralism in Literature and the Human Sciences,” “Racine, Poet of Glory,” “Valéry and Stendhal,” “Monsters and Demigods in Hugo,” “Bastards and the Anti-Hero and in Sartre,” “History in Saint-John Perse,” in: Mimesis and Theory: Essays on Literature and Criticism, 1953-2005, Stanford University Press, 2008.

 

      René Girard, “On Mel Gibson’s The Passion of the Christ,” Anthropoetics 10.1 (2004) 
            http://www.anthropoetics.ucla.edu/ap1001/RGGibson.htm   

 

      George Hansel. “Emmanuel Levinas: 1906-1995,” Philosophy Today 43.2 (1999): 121-125.


Co-Translations

      Jean-Joseph Goux, “Untimely Islam: 9/11 and the Philosophies of History,” in: Cultural Theory After 9/11: Terror, Religion, Politics.

            http://muse.jhu.edu/journals/substance/toc/sub37.1.html

 

      Jean-Pierre Dupuy, “Anatomy of 9/11: Evil, Rationalism, and the Sacred,” in: Cultural Theory After 9/11: Terror, Religion, Politics.

            http://muse.jhu.edu/journals/substance/toc/sub37.1.html